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K'a 6:330:00/6:33
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0:00/8:15
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Ragtime in Brooklyn 10:430:00/10:43
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Albert's Ladder 12:260:00/12:26
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0:00/3:01
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Birds in a Row 8:410:00/8:41
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0:00/6:23
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Lynbrooklyn 6:430:00/6:43
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Red trout 7:480:00/7:48
Audio
Blaise Siwula All About Jazz
Up Coming Shows in NY
Previous events
Projection:zero is an ongoing collaboration since 2008 featuring Blaise Siwula saxophones and Carsten Radtke guitar/effects
Blaise Siwula reeds, Christoph Irmer violin and Israel Flores Bravo drums/perc/voice. A meeting from three cultural backgrounds - USA, Germany and Mexico celebrating improvisational music at the historic Peter Kowlad House in Wuppertal, Germany
"The encounter in this trio goes back to the strange fact that both the Mexican drummer Israel Flores Bravo, who has been living in Wuppertal for several years, and the violinist Christoph Irmer have played a lot and intensively with the New York saxophonist Blaise Siwula, but both of them up to now didn't know anything recently. It was only during a conversation in the rehearsal room that one was blown away, so to speak, that in Blaise Siwula they had a mutual acquaintance who was of some importance in the history of the New York improvisation scene over the last 20 years."
Flutes and Gong for Julian
Birds Light and Dimensions
Jazz Word
Jazz Word is the official site for writer Ken Waxman music reviews
Network Connections
"Time In" Siwula/Plaks
The latest release from NoFrillsMusic. Avaiable from
NoFrillsMusic $15.00 (shipping incl) domestic and $20.00 (shipping incl) international.(paypal) Also cdbaby.com

C.O.M.A.
The final show at ABC No-Rio was June 27th 2016. It was a wonderful 18 year run. Thanks to all the performers and audience that made it possible...and of course ABC No-Rio
New CDs on CDBaby from NoFrillsMusic.com
Just Released: "Songs for Albert"

"Sometimes The Journey Is A Vision"

"Mérida Encuentro - Mérida Swings"
available at CdBaby as a Digital Download and CD
(also iTunes)

All cd's from nofrillsmusic are $15.00 USA 20.00 planet earth incl shipping ....go to paypal
Merida Encuentro Jan 4th 2016
"Past the Future" Radtke/Siwula/Hertenstein
From NoFrillsMusic for 15.00 domestic 20.00 intnl (ship incl) Available as a download and digipak from cdbaby.

"Songs of Deception" Mérida Encuentro
"Beneath the Ritual"
"Beneath the Ritual" is available on CDBaby as a download and digipak. Also at NoFrillsMusic for 15.00 domestic 20.00 intnl (with shipping) paypal
"The Sun Don't Mind My Singing"
D'ISTANTE3
D'ISTANTE3 - available from SLAM productions and CD Baby

Solo Sax at Cross Kings Dec 10 2008
Blaise Siwula & Dom Minasi at the Intar Festival
Creative Spontaneously Composed Music
Blaise Siwula

"Short Day Short Solos" Solstice 2014
Birds Light and Dimensions
Blaise Siwula, Sean Reed & Kae Reed
A spontaneously composed recording of light/dimensions and the studio canaries
Recorded July 5th 2012 at Spencer Studios in Brooklyn NY. Sean Reed trombone, Blaise Siwula clarinet/tenor sax and Kae Reed numerous percussion instruments and toys. Free form improvised music with two canaries singing in the background.
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Before the Dance 12:140:00/12:14
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Dimensional Drift 6:480:00/6:48
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A Frequency 11:300:00/11:30
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Light Is a Song 16:200:00/16:20
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Birds in a Row 8:410:00/8:41
Past the Potatoes
Blaise Siwula, John Loggia & Aron Namenwirth
This is jazz from a dream that you remember the song but can't place the title.
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The Ruined Garden 6:460:00/6:46
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0:00/5:43
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0:00/2:25
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0:00/6:23
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Stella's Mayhem 5:090:00/5:09
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Golden Calf 6:480:00/6:48
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Frogmore Creek 5:150:00/5:15
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Past the Potatoes 11:170:00/11:17
K'ampokol Che K'aay
Blaise Siwula & Lisbon String Trio
Improvisational music with roots of modern classical music and the natural twists of wind.
On a recent trip to Lisbon Portugal clarinetist Blaise Siwula was invited to a recording session with the "Lisbon String Trio" Read more
Improvisational music with roots of modern classical music and the natural twists of wind.
On a recent trip to Lisbon Portugal clarinetist Blaise Siwula was invited to a recording session with the "Lisbon String Trio" featuring violist Ernesto Rodrigues, cellist Miguel Mira and bassist Alvaro Rosso for a session of improvisationa music. The result was a focused and sustained collaboration of sounds from nature in a dance of light. K'AMPOKOL CHE K'AAY (wood music) K'AAY is Mayan for music/canto...K'AMPOL CHE is wood is the result. The track titles are for your imagination.
Los Jaguares Sueñan Flamingos (Live)
Blaise Siwula & Israel Flores Bravo
The music is imagination of an image of a dream from jaguars of flamingos with passion.
Approximately 3 years ago Blaise Siwula and Israel Flores Bravo met for the first time in Mérida, MX and performed as a duo in the Read more
The music is imagination of an image of a dream from jaguars of flamingos with passion.
Approximately 3 years ago Blaise Siwula and Israel Flores Bravo met for the first time in Mérida, MX and performed as a duo in the Cha'ak'ab Paaxil free jazz and noise Festival. This led to several encuentros in Queretaro, San Miguel and Mexico City. The music has maintained it's freshness and spontaneity during each show. Israel Flores Bravo is a drummer/poet who resides in Queretaro MX performing with a wide variety of improvising musicians. Blaise Siwula is a saxophonist and clarinetist who lives in Brooklyn, NY and on a more regular schedule Mérida MX. This cd contains music from their last two shows in Mexico City - JazzOrca and Queretaro - Mas sabe el diablo Cultubar.
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Squawk and Rouge (Live) 10:290:00/10:29
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0:00/4:53
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0:00/4:27
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0:00/4:56
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0:00/9:16
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Feathered Claws (Live) 12:560:00/12:56
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0:00/8:15
Waterscapes
Blaise Siwula & Jorge Nuno
When spontaneous jazz meets psychedelic rock water music can be the result. These waterscapes are meditations from the subconscious.
This duet is trans Atlantic. Blaise Siwula resides in Brooklyn and Jorge Nuno is from Read more
When spontaneous jazz meets psychedelic rock water music can be the result. These waterscapes are meditations from the subconscious.
This duet is trans Atlantic. Blaise Siwula resides in Brooklyn and Jorge Nuno is from Lisbon, Portugal. They met for the first time on Jan 27th, 2016 and then again on Jan 28th 2016 to complete the recording. Psychedelic guitar with jazz bass clarinet/soprano sax on a journey to new and different territory in a panorama of abstract expressionism. There is a constant shift from foreground to background with linear melodies skating over the reflections in an aquatic environment.
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Tidal Memories 7:220:00/7:22
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Silver Breaker 14:370:00/14:37
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Transparent Coral 7:560:00/7:56
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Silent Tsunami 10:450:00/10:45
Rags to Ragas
Blaise Siwula & Luciano Troja
After a week of preparing for a show improvising on the 19th century composer Gaetano Daga’s “Union Blues Quick Step” we went to the studio and recorded 52 minutes of spontaneous music without actually referencing the Read more
After a week of preparing for a show improvising on the 19th century composer Gaetano Daga’s “Union Blues Quick Step” we went to the studio and recorded 52 minutes of spontaneous music without actually referencing the tune the entire session.
Rags to Riches is the first duet collaboration between Luciano Troja and Blaise Siwula after three trio releases. We hop you enjoy the recording.
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There and Back Again 6:470:00/6:47
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Sun Surgency 6:040:00/6:04
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Next Time George 11:160:00/11:16
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Ragtime in Brooklyn 10:430:00/10:43
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0:00/7:50
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Carousel Dream 8:560:00/8:56
Past the Future
Blaise Siwula, Joe Hertenstein & Carsten Radtke
Spontaneously composed as a kaleidoscope of genres emerges then transcends the past, present and future as the trio pursues a harmonic, rhythmic and melodic compositional poem.
Past the Future is the result of the ongoing Read more
Spontaneously composed as a kaleidoscope of genres emerges then transcends the past, present and future as the trio pursues a harmonic, rhythmic and melodic compositional poem.
Past the Future is the result of the ongoing musical relationship projection:zero - blaise siwula on reeds, carsten radtke on guitar and the addition of joe hertenstein on drums and percussion. this music was spontaneously composed in wombat studios on sept 1, 2014. The is the 2nd projection:zero cd to be released in 6 years.
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To Signal 8:420:00/8:42
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On One Beat 5:070:00/5:07
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Beginning an Omelet 6:270:00/6:27
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Past the Future 6:550:00/6:55
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0:00/1:55
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Of a Shadow 11:510:00/11:51
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Sand Steps 4:230:00/4:23
"Songs of Deception"
Siwula/Martin/Caamal
The latest release from the Mérida Encuentro on Setola di Maiale. These Songs were spontaneously composed on Calle 58 in Mérida MX Oct 26th 2015. Featured musicians are Blaise Siwula reeds/flutes, Armando Martin acoustic Read more
The latest release from the Mérida Encuentro on Setola di Maiale. These Songs were spontaneously composed on Calle 58 in Mérida MX Oct 26th 2015. Featured musicians are Blaise Siwula reeds/flutes, Armando Martin acoustic guitar and Edgar Caamal percussion.
This cd and all the cds on my site con be purchased via paypal: http://paypal.me/BlaiseSiwula for $15.00 USA and $20.00 worldwide shipping included (please specify which cd)
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Desire 5:090:00/5:09
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Derivation 6:210:00/6:21
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Deceit 6:300:00/6:30
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Dissention 13:100:00/13:10
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Design 5:190:00/5:19
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Decoy 5:060:00/5:06
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Determination 4:150:00/4:15
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Duplicity 5:260:00/5:26
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Defence 3:010:00/3:01
The Lower East Side Social Club
Various Artists
This is improvised spontaneously composed music that breathes swaggering scruffy New York, the cutting edge Lower East Side where drop dead eccentricity and lunacy is king in 2003.
The Lower East Side Social Club Read more
This is improvised spontaneously composed music that breathes swaggering scruffy New York, the cutting edge Lower East Side where drop dead eccentricity and lunacy is king in 2003.
The Lower East Side Social Club originated in what appears to be the last of the community art buildings in the East Village - ABC No Rio on 156 Rivington St. NYC. Sunday night open sessions at the C.O.M.A. music series led to a few loft parties and then suddenly a recording session and this CD. This is improvised spontaneously composed music that breathes swaggering scruffy New YOrk, the cutting edge Lower East Side where drop dead eccentricity and lunacy is king. What kind of music is that? It's a stunning mixture of New Music, hip hop, rock, free jazz, salsa and Beethoven at a club where Mongo Santamaria meets Leopold Godowsky for tea. The Lower East Side Social is - Blaise Siwula alto sax/clarinet, Gregory J. Wildes samples/alto sax, Matthew Paris piano, Christobal Jacques electric bass and Drew Gardner drums
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Space Dent 10:440:00/10:44
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More or Lessc 5:590:00/5:59
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Under the Bridge 9:470:00/9:47
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Syncretic Dialectic 6:520:00/6:52
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Bill the Demon 6:210:00/6:21
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Power Line 8:260:00/8:26
Beneath the Ritual
Blaise Siwula
A festive display of organic interplay captured one afternoon in Brooklyn, NY.
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Beneath the Ritual 5:420:00/5:42
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0:00/3:18
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Light in Ascension 2:350:00/2:35
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Challenges 4:510:00/4:51
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Migration 4:490:00/4:49
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0:00/2:18
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Loop of Distinction 8:130:00/8:13
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0:00/5:05
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0:00/2:58
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0:00/3:18
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If It Wasn't You 5:000:00/5:00
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0:00/3:23
"Time In"
Siwula/Plaks
“TIME IN” recorded at Wombat Studios in Brooklyn, New York on Aug 26th, 2015.These 7 spontaneous compositions have roots in a very broad spectrum of musical genres from gospel to free jazz with many twists and turns from beginning to end.
Blaise Siwula alto/tenor and soprano sax and Eric Plaks piano
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0:00/4:45
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0:00/5:45
Songs for Albert
Blaise Siwula & Shiro Onuma
The spontaneously composed music on this cd was inspired by and dedicated to the jazz tenor saxophonist Albert Ayler.
Blaise Siwula and Shiro Onuma first met in Tokyo in 2005 while performing with pianist Katsuyuki Read more
The spontaneously composed music on this cd was inspired by and dedicated to the jazz tenor saxophonist Albert Ayler.
Blaise Siwula and Shiro Onuma first met in Tokyo in 2005 while performing with pianist Katsuyuki Itakura at the Pit Inn. A return tour to Japan in 2006 found them partnered again in free improvised performances in Tokyo. In 2009 Shiro Onuma was able to visit New York city for a series of performances and this recording date on July 25th at Wombat studios. A sax and drum duet...just straight improvising with rhythm and changing melodies....and energy. There wasn't a pre conceived direction to play like or sound like Albert Ayler but there was definitely a feeling that spoke clearly to both musicians. This recording has been waiting four years for this moment...I hope you enjoy it.
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Songs for Albert 16:220:00/16:22
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Thinking of One 14:210:00/14:21
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Solar Alignment 10:380:00/10:38
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Albert's Ladder 12:260:00/12:26
Tesla Coils
Blaise Siwula, Harvey Valdes & Gian Luigi Diana
Elegant sax lines float over textural guitar stylings are manipulated in a process of real time electronic orchestration.
Inspired by the creations and philosophy of Nikola Tesla Blaise Siwula reeds, Harvey Valdes guitar Read more
Elegant sax lines float over textural guitar stylings are manipulated in a process of real time electronic orchestration.
Inspired by the creations and philosophy of Nikola Tesla Blaise Siwula reeds, Harvey Valdes guitar and Gian Luigi Diana laptop explore an electro/acoustic realm of improvisation. Though cast in the shape of a trio, the musicians deconstruct their sound often ending up together, tumbling hard but light through this dizzying lesson in cooperative 'conflict'. Based in Brooklyn Tesla Coils has been active in the NYC downtown scene in many different configurations including Karl Berger's Improvisers Orchestra
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Spark Gap 6:430:00/6:43
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Discharge Terminal 6:580:00/6:58
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0:00/2:37
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Primary Coil 15:480:00/15:48
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Secondary Coil 7:510:00/7:51
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0:00/6:16
Sometimes the Journey Is a Vision
D'istante3
The CD is the 2nd release by D'istante3. The material was spontaneously composed with jazz roots and a synthesis of world music and acoustic improvisation
There are those studio dates that everything seems to work Read more
The CD is the 2nd release by D'istante3. The material was spontaneously composed with jazz roots and a synthesis of world music and acoustic improvisation
There are those studio dates that everything seems to work right..well almost.... This was a moment in time that made sense during and after the session. There has to be an enormous amount of listening to make spontaneous composition work and there were 6 ears extended. The studio was a one room space that meant everything was documented ..this was not overdubbed or isolated. Luciano Troja is a master of piano technique and can produce music in all genres and styles while performing. Giancarlo Mazzù extended his musical talent beyond the guitar (on which he would be described a monster) to the drum kit (he has studied rhythms from around the world) and vocals of which he blends with his guitar. Blaise Siwula has been referred to as "Reed Master of Free Music" (Gregory Edwards 2-28-14) and has a fearless approach to harmony and rhythm.
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Dragon's Wing 6:180:00/6:18
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0:00/8:42
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What a Change for Time 10:080:00/10:08
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0:00/5:29
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0:00/8:48
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Ginger Is Her Name 9:230:00/9:23
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That Was a Shift 8:210:00/8:21
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0:00/6:10
Mérida Encuentro: Merida Swings
Blaise Siwula
Recorded live in Mérida, MX this is a cd of spontaneously composed music offering a unique listen to the underground and innovative music in Mérida that swings in 7 parts.
Mérida Encuentro - "Mérida Swings" is an Read more
Recorded live in Mérida, MX this is a cd of spontaneously composed music offering a unique listen to the underground and innovative music in Mérida that swings in 7 parts.
Mérida Encuentro - "Mérida Swings" is an extension of "New York Encuentro" (also on cdbaby). This recording is the culmination of a series of concerts and sessions in Mérida MX over the past 3 years. The cover photo is from the show that Blaise Siwula and Armando Martin did in Merida Sept. 2010 organized by Gerardo Alejos Victoria. Saxophonist Blaise Siwula has been active in the NY downtown scene for the past 25 years and is now dividing his time between Brooklyn and Merida. Armando Martin, Edgar Caamal and Alvar Canto Torres are native residents of Merida and perform primarily in Mexico. This music combines a variety of influences from 1930's jazz to 20th Century New Music to Free Jazz to Psychedelic Rock. Blaise Siwula clarinet & alto saxophone, Armando Martin acoustic and electric guitar, Edgar Caamal drums and percussion and Alvar Canto Torres stepped with his electric guitar on track 7. The titles are in Spanish with an English translation. Our hope is that you'll enjoy the music from both languages as one music of life. Mérida Encuentro - "Mérida Columpios" es una extensión de la "Nueva York Encuentro" (también en cdbaby). Esta grabación es la culminación de una serie de conciertos y sesiones en Mérida MX en los últimos 3 años. La foto de la portada es de un espectáculo con el que Blaise Siwula y Armando Martin hizo en Mérida 2010 Sept organizado por Gerardo Alejos Victoria. El saxofonista Blaise Siwula ha participado activamente en la escena NY el centro durante los últimos 25 años y es ahora divide su tiempo entre Brooklyn y Mérida. Armando Martín, Edgar Caamal y Alvar Canto Torres son nativos residentes de Mérida y realizar principalmente en México. Esta música combina una variedad de influencias que van desde el jazz hasta 1930 Siglo 20 nueva música de Free Jazz de Rock psicodélico. Blaise Siwula clarinete y saxofón alto, Armando Martin acústico y guitarra eléctrica, Edgar Caamal batería y percusión y Alvar Canto Torres escalonadas con su guitarra eléctrica en la vía 7. Los títulos están en español con una traducción al inglés.Nuestra esperanza es que usted disfrutará de la música de ambos idiomas como una música de la vida.
Feb 28th, 2014 CD Review by Gregory Applegate Edwards: Blaise Siwula, reed master of free music. . . we've usually associated him with New York City in years past. He has however been spending some time down in Merida, Mexico and has hooked up with some good players there. /Merida Encuentro/ (nfm 004) gives us a CD of free encounters of the ear-enriching kind, a rewarding result of the confluence of new and culturally diverse combinations that can happen when everybody opens up and listens.
The first several cuts feature Blaise on clarinet and alto and Armando Martin on acoustic guitar. "Para Django" starts things off with a kind of swing extension of outness, of course paying tribute to Django Reinhardt in the process. More abstracted duets follow, with "Sin Tiempo" giving us a first climax via prepared and unprepared guitar that goes from Bailey-esque flights to Latin classical to jazz chording to sung-played expressive lining while Blaise makes a cohesive statement on clarinet.
Armando switches to electric guitar for "Disenos" and drummer Edgar Caamal joins the group to make it a trio for the rest of the set. The dynamic remains free and open form. Edgar's brushed drums make us feel a little more like we are back in New York, but Armando on electric quickly turns up and gets us into a more watted avant abstraction that has an exploded free-rock feel as Edgar switches to sticks. Blaise turns up the intensity on alto and gets the max out of the two-lined simultaneous soloing.
The mood continues with Armando back on acoustic and Blaise catching alto fire. A longer, softer "Suave" brings back clarinet, brushes and acoustic for what starts out as a kind of free ballad with a lazy bluesiness in there as Blaise channels some tradition into his own world with smooth ease but pointed strength. It comes to climax, then gets quiet and moody again.
The finale, "Fuera", substitutes Alvar Canto Torres on electric guitar. He is more into a metallic, psychedelic, high-voltage sound with guitar feedback, power drones and edgy lines that give Blaise something else to work against. Blaise glides and slithers along with it while Edgar continues free drum barrages but also interjects intermittent pauses to change the texture of the momentum.
In the end we get another way free can roll. Blaise is in great form and his fellow travellers add dimensions and dynamics that keep it all interesting. This is a successful first outing with lots of modes and moods. I look forward to what else they will do in future.
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0:00/12:22
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0:00/5:05
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0:00/9:24
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0:00/6:45
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0:00/5:55
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0:00/8:15
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0:00/10:43
D'istante3
Blaise Siwula, Luciano Troja & Giancarlo Mazzù
This cd contains music in a contemporary jazz style. Spontaneously composed in a free flow of ideas resulting in a something new and something older from jazz history.
Blaise Siwula alto & tenor saxes, bass clarinet, Read more
This cd contains music in a contemporary jazz style. Spontaneously composed in a free flow of ideas resulting in a something new and something older from jazz history.
Blaise Siwula alto & tenor saxes, bass clarinet, clarinet. Giancarlo Mazzù guitar, drums. Luciano Troja piano.
“d’istante3” is a creative music project bringing together the two Italian improvisers Giancarlo Mazzù and Luciano Troja, and the New York based saxophonist Blaise Siwula.
Giancarlo and Luciano have worked together on the European jazz scene since 2002. Their music is mainly based on the search for new forms and expressions, related to tradition with a solid jazz background, mixed with folk music, classical forms and free improvisation.
Blaise Siwula has established a prominent role in the NYC music scene since his arrival there in 1989
Collaboration between the three musicians began in 2009, with their first performance together in NYC at ABC No-Rio, where Siwula is the curator of C.O.M.A. Series. In 2011 “d’istante3” performed in several venues around NYC (Manhattan, Brooklyn, Harlem); in April that year, in the Wombat Studio in Brooklyn, the trio decided to record their special synergy in the spontaneous session presented on this, their first CD.
Giancarlo Mazzu/Blaise Siwula/Luciano Troja (SLAM) by Ken Waxman
After five years of intercontinental music making, Italian pianist Luciano Troja and guitarist/drummer Giancarlo Mazzù, plus New York multi-reedist Blaise Siwula, have finally recorded their co-operative trio. The wait was worth it. With interactive familiarity engendered by time, the three easily enmesh unique textures and timbres into a satisfying whole. Siwula is an improviser never inhibited by fashion or genre. That makes him a perfect foil for the other two, whose musical explorations flow equally from so-called classical music and folkloric suggestions as well as the liberation implicit in free music. As an added bonus, d’istantes3’s seven tracks are divided in such a way that two unique trios could be on hand. One, more jazz-oriented, usually features Siwula playing alto or tenor saxophone in a tart, impassioned manner while Mazzù demonstrates his talent as a time-keeping drummer with a fondness for shuffle beats. Here Troja’s command of blues progressions and other swing conventions is on display as well. With a style more akin to contemporary New music, the pianist helps define the second trio, alongside Mazzù’s harsh rasgueado and slurred fingering on the guitar plus Siwula’s extended techniques, usually expressed in the chalumeau register of the clarinet or bass clarinet. For instance, with Mazzù’s slaps and ruffs and Troja’s metronomic pulsing propelling the tune forward, “Istantes 2” finds Siwula’s saxophone lines evolving from hesitant flutters to multiphonic, circular smears. In contrast, “Istantes 1” could have been through-composed in early 20th century Vienna. As low-pitched clarinet puffs eventually sharpen, reed lines are accompanied by harp-like strums from the guitarist and busy piano patterns. Divisions aren’t hard and fast, however, since many tracks exhibit both recital- and dance-hall characteristics. “Istantes 2” for example, has a blues progression and drum rolls and shuffles suggesting ‘30s Swing while heavily vibrated bass clarinet slurs are strictly modern. By the final selection the three have managed to forge inimitable sequences, which can call on the characteristics of other musics while maintaining an interface strictly the band’s own. For more information, visit slamproductions.net. Siwula is at Spectrum Jan. 3rd and ABC No-Rio Jan. 20th. See Calendar.
January 2013 | THE NEW YORK CITY JAZZ RECORD
Call Red Dragon
Stone Arabia
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0:00/7:11
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0:00/6:48
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0:00/4:23
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Escalation Deficit 3:240:00/3:24
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Star Date 89 4:010:00/4:01
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0:00/4:54
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0:00/6:30
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New York Encuentro
Blaise Siwula
Improvised Jazz music from a piano sax drums trio balancing the fine line between almost mainstream to free blowing counter-point free music but in a very melodic way.
New York Encuentro was recorded after several tours Read more
Improvised Jazz music from a piano sax drums trio balancing the fine line between almost mainstream to free blowing counter-point free music but in a very melodic way.
New York Encuentro was recorded after several tours with Katsuyuki Itakura and Blaise Siwula in Japan and the USA. Originally formed as “Big Hearts” they found a kindred spirit in Richard Gilman-Opalsky a drummer who also has several degrees in political philosophy. Pianist Katsuyuki Itakura (b. 42) or “Kats” (as he’s more commonly known) has been playing jazz piano in Japan since his teens. He met saxophonist Blaise Siwula at the C.O.M.A. series in NYC in 2004 and a partnership was born which produced the “Big Hearts” cd release on Cadence Jazz Records in 2006. “New York Encuentro” steps ahead and covers a new spectrum of jazz music from the smoky ballad to full force free jazz and a few references to Eric Satie by Kats. Richard’s drums are a constant reminder that improvised music should maintain a concise direction.
July 22, 2011
Grego Applegate Edwards - Gapplegate Music Review
Friday, July 22, 2011
New York Encuentro: Blaise Siwula in Excellent Form with K. Itakura and R. Gilman-Opalsky
Now that what was once called the "new thing" is nearly 50 years young, we have a chance to assess what has gone on so far. Not today, however, since as I write this New Jersey is headed toward 100-plus-degree weather and my office is rapidly becoming an oven with yours truly as the tuna casserole. Nevertheless there are substyles in "free" improv that are well marked out and players working within the various parameters with increasing economy of expression and a kind of certainty years of experimentation and musically genetic drift have made possible.
The trio of Katsuyuki Itakura, piano, Blaise Siwula, alto and tenor saxes, and Richard Gilman-Opalsky on drums serves as a good example. New York Encuentro (No Frills Music 002) finds them in a free-blowing set that has the consistency of music by players who know where they are coming from, know where they want to be, and then get there.
Itakura comes out of the Cecil Taylor school of pianistic all-overness. He's quite good at keeping the lines and clusters coming. Gilman-Opalsky has the Sunny Murray-and-after freetime drumming down and interacts well with the others. Then there is Blaise Siwula. He has a way of his own that relates to what has gone before but does so in ways that are endlessly inventive. It's not so much a timbral sound sculpting that goes on with Blaise on this set, though he does of course have a sound. It's the way he keeps coming up with lines of interest, setting up a dialog especially with the piano, laying out line after line of musical improvisation with a lucidity of someone who knows what he is about...that is what makes New York Encuentro music well worth hearing. Posted by Grego Applegate Edwards - See more at: http://www.blaisesiwula.com/press#sthash.WFoUfJlo.dpuf The title "New York Encuentro" was Richard’s inspiration - "Encuentros were the meetings, or "encounters" the Mexican Zapatistas organized in Chiapas after their rebellion in 1994. People from outside Mexico came together for the encounters for a unique moment to exchange ideas and try to build something together, then they dispersed. The Zapatistas also sometimes called these meetings "Intergalacticas", since they were all in one space but exceeded the boundaries of that space. "
August 29, 2011 Ken Waxman - THE NEW YORK CITY JAZZ RECORD | September 2011 New York Encuentro Katsuyuki Itakura/Blaise Siwula/ Richard Gilman-Opalsky (No Frills Music) by Ken Waxman Named for the idea-exchanging “encounters” Mexican Zapatista guerillas organized following the 1994 Chiapas uprising, the only concepts espoused on this outing are purely musical. Yet the unfettered tonal expressions demonstrated by this trio of veteran improvisersare as radical in their way as the Zapatistas’ libertarian socialist ideas were in theirs. That’s radical, not confrontational. For no matter how atonal New York Encuentro’s eight tracks appear, they never fail to communicate. Upfront are the key clipping and sly, note-patterning of Japanese pianist Katsuyuki Itakura plus the reed prestidigitation of saxophonist Blaise Siwula. Keeping the rhythm linear is drummer Richard Gilman-Opalsky, who also possesses degrees in political philosophy. Considering his few brief solos are mostly involved with cymbal clanking and press roll reverberating, it’s obvious that Gilman-Opalsky’s musical philosophy adheres to the Zapatistas’ low-key (r)evolution. In their playing, the other musicians are as similarly sympathetic as the Mexican movement’s rural base is to wealth-distribution ideas. But like a minority of Zapatistas who turned to direct action, the trio here plays vociferously enough to get their ideas across. Especially animated is Siwula, who on a piece such as “Toy Box” opens the container to reveal staccato tongue slaps, balanced reed bites and overblowing into every corner of the package. At the same time he isn’t averse to ending a series of irregularly accented stutters with a joking quote from “Heart and Soul”. While the pianist is capable of kinetic jumps, his playing is economical, with singlekey shading like early Cecil Taylor or mature Thelonious Monk. The sprightly “Great Incept” could be an updated Monk tune, with Itakura plinking broken-octave lines, shaded with stride echoes andSiwula on tenor saxophone harmonizing in ballad tempo like Charlie Rouse. Although the trio’s intensity is often expressed in reed triple-tonguing and splayed, keyboard leaps, in 2011 this progressive encounter should be no more revolutionary than the Zapatistas’ ideas about nonviolent equality.
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Mountain Temple 9:100:00/9:10
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Water Drops 7:390:00/7:39
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Red trout 7:480:00/7:48
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New York Encuentro 5:090:00/5:09
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0:00/7:42
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In Your Eyes 5:510:00/5:51
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Toy Box 11:510:00/11:51
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Great Incept 6:490:00/6:49
Blaise Siwula Live in London
Blaise Siwula
Spontaneous Composed Music - Solo Tenor saxophone & clarinet with one duet tenor/bari sax. Free Jazz in London
Blaise Siwula Live In London Dec 9th 2008 at Jazz Rumours - Cross Kings Dec17th 2008 at FlimFlam - Ryan’s. Read more
Spontaneous Composed Music - Solo Tenor saxophone & clarinet with one duet tenor/bari sax. Free Jazz in London
Blaise Siwula Live In London Dec 9th 2008 at Jazz Rumours - Cross Kings Dec17th 2008 at FlimFlam - Ryan’s. Blaise Siwula solo tenor sax and solo clarinet The last track is a duet Blaise Siwula tenor sax and Alan Wilkinson bari sax.
These shows book ended a quick tour in Portugal (Lisbon & Porto) I arrived in London on Dec 9th did the first show. On Dec. 10th Barbara and I flew to Lisbon. Then we returned to London on Dec. 17th did the second show and flew home on the 18th.
These tracks were all spontaneously composed pieces before a warm audience of local musicians and enthusiasts.
This cd is the first release for NoFrillsMusic.com and I hope more to follow soon.
This is a blogspot review from Clifford Allen August 16th 2011 Saxophonist and clarinetist Blaise Siwula is an acolyte of the fire-and-brimstone school of reed playing, abstracted to the sonic sources that have welled up over the years in musicians like Albert Ayler, Peter Brötzmann, and Shoji Ukaji. Live in London is just that, a series of eight solo tenor and clarinet pieces recorded in December 2008 on a visit to England, along with one duet featuring Alan Wilkinson on baritone saxophone. As much as Siwula pulls from the sandblasted reaches of energy music – and the closing “Time’s Up” with Wilkinson is a joyous shout of hard-bitten, screaming multiphonics and wind shear reminiscent of messengers McPhee and Gustafsson – there’s a lot of variability in his playing. “Stutter’s Waltz” is a three-minute slice of whittled resonance that plays a tense game with the possibility of breaking off into whoops and hollers, yet far exceeds any sense of “exercise.” The connection with McPhee isn’t too implausible, although perhaps Siwula is a little more interested in garishness in his wide-vibrato, wall-shaking preach. That’s notable with “On the Plains of Brooklyn,” which calls up both Rust Belt river silt and the music of the Scottish highlands, somehow mincing a penny-whistle with blustery tenor skronk. It’s a lot to fit into a short piece, but Siwula does it.
“Old Friends” takes a well-worn melodic fragment and ramps up the swagger into athletic curls, blats and paint-peeling sharp masses, though at the piece’s center is an awareness of the instrument’s stately history even as the saxophonist tears through it with winking abandon. Lest one forget Siwula has worked with melody hounds like pianist Nobu Stowe and guitarist Dom Minasi, “Time One Down” is an approximation of a pre-bop chestnut, sweetly closing the disc’s first third. Although that first third is also a bit more lo-fi, the music isn’t harmed, and the following thirty-minutes recorded at Ryan’s FlimFlam grants longer pieces (including the aforementioned duet) that, while mostly not as hell-bent, nevertheless provide a window into Siwula’s quick wit, massive tone, and love for his forebears. “Ryan’s Shuffle” is a fine example of this fact, toying with and building on some arcane melody much as a free mid-60s Rollins, albeit with a little of the non-idiomatic sandblasting school thrown in. Even when he’s taking it the distance, Siwula knows how to bring the music home to an almost hokey-sounding prewar vibe before stretching into high-pitched screams. If you really want a slice of Blaise Siwula’s world, Live in London comes highly recommended.
Clifford Allen
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Grego Applegate Edwards - Gapplegate Music Review
Tuesday, April 12, 2011
Blaise Siwula, Solo Tenor Sax, "Live in London"
How many solo saxophone records have I heard? A good many. Are they all wonderful? No. If the player is not imspired or comes to the date unprepared, it can be slow going for the listener. Happily that is not the case with Blaise Siwula's Live in London (No Frills Music 001).
It's from two separate live appearances in 2008. He switches to clarinet on one track and Alan Wilkinson joins him on the baritone for the final number.
What I find excellent is how Blaise creates differing spontaneous compositions (free playing, if you like) by concentrating on the rich possibilities that the tenor offers. Siwula channels the big, timbrally complex sound worlds. Like Ayler and the Texas tenors, Blaise Siwula gets a sound that has wide expressive impact. Yet he doesn't really sound like those players because he has worked through his own take on the sounds.
It's free saxology from the nether regions of the land of Wail. And it's about as good an example as I've heard in a few years. Just as Blaise and Alan Wilkerson go out with a madcap flourish on the final number, you should do the same. Go out and get this--or Google Blaise and find a way to order it. But don't expect toe tapping. Do expect to set your MIND tapping. Grego Applegate Edwards
July 09, 2011 Dick Metcalf - ZZaj Productions
Blaise Siwula – LIVE IN LONDON: You must be a dedicated improv fan to completely enjoy what Blaise is doing here. His solo tenor sax work is both penetrating and forward moving! “On The Plains of Brooklyn” will grab your ears and hold on to them for the entire 4:07. “Transparent Dialogue” uses little “punctuation marks” to guide you through the conversation. Those of us who are able to let ourselves go & get immersed in the moment will understand what’s being said immediately. I’ve heard other players like Jack Wright and Jeffrey Morgan perform such antics many times, but Blaise manages to captivate your mind even though it’s a recording. This is a great performance that gets a MOST HIGHLY RECOMMENDED from me (especially for listeners who can’t do without some freestyle), with an “EQ” (energy quotient) rating of 4.96. Get more information at www.blaisesiwula.com Rotcod Zzaj - See more at: http://www.blaisesiwula.com/press#sthash.WFoUfJlo.dpuf
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Old Friends (Live) 6:220:00/6:22
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0:00/10:00
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Time One Down (Live) 1:210:00/1:21
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0:00/4:07
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Slide Line (Live) 5:550:00/5:55
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Ryans Shuffle (Live) 7:250:00/7:25
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0:00/3:08
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0:00/7:07
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0:00/3:01
Fulgornatus
Blaise Siwula & John Gilbert
Fulgornatus – “ornate lightning” from Latin roots- was recorded 10-4-08 in Brooklyn, NY. The song titles refer to reflective responses of the musical structures of Messeian and Thelonious Monk.
Blaise Siwula - Read more
Fulgornatus – “ornate lightning” from Latin roots- was recorded 10-4-08 in Brooklyn, NY. The song titles refer to reflective responses of the musical structures of Messeian and Thelonious Monk.
Blaise Siwula - Saxophones/Clarinets adherent of free original music in any medium or genre John Gilbert- guitarist and musical innovationist, serialist of microtones & death metal guitarist.
This partnership began via the internet. John Gilbert guitar is a resident of Tampa, Fl and Blaise Siwula alto/tenor sax and clarinet is in Brooklyn, NY. They met at Blaise’s studio in Brooklyn with two microphones and a HD recorder and performed the concepts that had been inferred via email and phone calls. Blaise Siwula saxophones & clarinets (b. 1950) has studied various art forms through the year from music as a teenager (began studying saxophone) then poetry as a young man followed with visual arts (MFA Wayne State University) while maintaining a connection with and integrating music (specifically-improvisation).
The result after 40 years of improvising is an outside–inside style of playing that infuses sound art with spontaneous melody.
A resident of NYC (since 1989) saxophonist Blaise Siwula has worked with a wide variety of creative musicians in the Jazz-Free Jazz- Free and New Music scene including - Cecil Taylor, Tan Dun, Katsuyuki Itakura, Toshi Makihara, William Parker, Luther Thomas, Donald Miller, Dom Minasi, Peter Kowald, Perry Robinson, Bern Nix, Sten Hostfalt, Vincent Chancey, Paul Hession, Bob Meyer, Borah Bergman, Sonny Simmons, Sten Hostfalt & Carsten Radtke
Blaise has performed throughout the USA, Canada, Mexico , Europe (England, Germany, Portugal, Poland, The Netherlands, Slovenia, Croatia, Switzerland, Denmark), Asia (Korea, Japan, Thailand, Hong Kong, Singapore and the Philippines).
Discography includes releases on CIMP Records, Cadence Jazz Records, Konnex Records, Cappuccinonet.com Records, Re:Konstruct and NoFrillsMusic.com
Blaise also curates the C.o.M.A. improvised music series at ABc No-Rio in NYC (1998-2011)
Additional information can be found at- http://www.blaisesiwula.com http://www.nofrillsmusic.com http://www.myspace.com/blaisesiwula
press quotes-
Ken Weiss JazzImprov on Big Hearts cd Blaise Siwula and Katsyuki Itakura “Blaise Siwula ia a veteran of the downtown New York City avant garde scene, known for his mean alto saxophone but also able to shine on clarinet and tenor which he demonstrates on this remarkable recording. He is a master of extended technique, utilizing all elements of his horns to probe harmonies and explore potentially rich areas while never neglecting the song’s imbedded melody.”
Ken Waxman from his review in All About Jazz NYC on the Fulgornatus CD “Employing a light vibrato and constricted tone, Siwula’s playing is memorable in that he gets his message across by implying rather than wallowing in emotion.”
John Gilbert Guitarist, Artist, Innovator and Media Producer, "I would like to get more into filmmaking which is a very high form of art. Currently I'm working on a few projects that are very important to me: The 27 Disc Set of Art Music/Avant Garde Composition in the vein of Stockhausen or John Cage although entirely new. This set of music is called Anonmist - Art. I'm also working on a book to be finished this year hopefully, which explains in detail the theory from that album of works. I have paintings and digital photographs/manipulated images which I'm planning on doing an art show combining musical experience of listening and the visual aspects and how they form a unity and are not separate."
John started playing guitar very young, went to guitar lessons his Mom took him to and went from there. Became gifted at guitar and won several contests. Then going to college in Tampa, FL mentored under Robert Helps, a great classical pianist and composer of Symphonies. He also spent many hours studying scores from modernist and avant garde composers in the library and through interlibrary loan. Messiaen began to show him the idea of 3 dimensionalizing music and time and how to take colors into harmonic sound. This esoteric knowledge began a life long quest to find answers to microtonality and natural phenomenon.
Making new steps in microtonal improvisation, John Gilbert premiered his new wavelength / geometrical microtone electric guitar (Hondo II) at a COMA event in New York City. COMA is a very well known, long time established avant garde session hosted by Blaise Siwula (sax, clarinet). Following this landmark performance, Blaise and John recorded a duo album completely improvised without any planning prior to it. The group's name is Fulgornatus and will soon be available for purchase. Recurring themes in all of John Gilbert's musical works whether it be improvising on piano or electric guitar or simply painting art are numbers as aesthetic properties, abstraction of nature, serialism in music, chromaticism and geometry. Other ideas that appear are relativity, microtonal harmony, color light scales, improvisation, the exploration of dissonance, and comedy.
http://www.myspace.com/johngilbert5
OCT 30 2010 Review All About Jazz NYC Ken Waxman Continuing his series of duets with guitarists, which has included Dom Minasi and Carsten Radtke, saxophonist and clarinetist Blaise Siwula stays true to his free-improv ethos on this date with Tampa, Fla.- resident John Gilbert, who claims an equal fascination with microtonalism and Death Metal. The latter style stays unexplored on the eight spontaneous tracks here, as Siwula, curator of the C.O.M.A. series, demonstrates the adaptability that allows him to improvise with nearly anyone at those weekly sessions. Employing a light vibrato and constricted tone, Siwula’s playing is memorable in that he gets his message across by implying rather than wallowing in emotion. Following the same approach, Gilbert is sure to disappoint errant Heavy Metalers, deliberately turning his amp down to near-acoustic properties, adding spidery fills or finger-picked licks to Siwula’s note stuttering and reed biting. “Turned Time in Retrograde” for instance, finds Siwula’s saxophone honks and flattement accelerating to a staccato interface, with Gilbert’s dobro-like twangs first chasing then complementing the reed work. Warmer-toned on clarinet, the veteran player’s glissandi stretch upwards to a roughened lyricism that perfectly matches the guitarist’s slurred fingering and ringing strokes. When the clarinet’s melodic cadences on “People Never Met Passing” are met with an obbligato of heavier down strokes from the guitarist, the enigmatic title is definitely negated. Reversed as well is the sentiment described in the band’s name, which roughly translates as “ornate lightning”. Siwula’s and Gilbert’s interaction does result in lightning-quick musical illumination but their impressive, bare-bones presentation is anything but ornate.
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0:00/6:06
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0:00/6:40
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0:00/9:47
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Orange Sails 6:010:00/6:01
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0:00/4:19
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0:00/8:23
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Continual a Rise 6:000:00/6:00
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Dot Dot Be Dot... 2:280:00/2:28
Projection:Zero
Blaise Siwula & Carsten Radtke
This is spontaneous composition from a project that suddenly materialized in an afternoon session of improvisation.
Projection:Zero began in 2007 in Brooklyn, NY featuring Blaise Siwula alto/tenor sax and clarinet with Read more
This is spontaneous composition from a project that suddenly materialized in an afternoon session of improvisation.
Projection:Zero began in 2007 in Brooklyn, NY featuring Blaise Siwula alto/tenor sax and clarinet with Carsten Radtke guitar. This duet has been active since that time performing in NYC, Washington DC, Boston, Brooklyn, Munich, Hamburg, Siblius Romania and Konstanz Germany. They have collaborated with various musicians from around the world (Japan, Belgium, Germany, USA) This recording is where it began and in so many ways the first time is indeed remarkable.
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Wuweiways 6:540:00/6:54
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Lynbrooklyn 6:430:00/6:43
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0:00/4:50
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Was It the Eastside? 7:130:00/7:13
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It Happened Tomorrow 11:060:00/11:06
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If I Saw This 2:540:00/2:54
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Whoze Surprize 11:340:00/11:34
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Chance Meeting 6:590:00/6:59
Mérida en la noche
Blaise Siwula
The first solo recording of 2016 in Mérida MX on Calle 58. SPontaneously composed music with solo instrumentation - Clarinet, Alto Sax, Soprano Sax and Alto Clarinet as performed and reorded by Blaise Siwula in the evening of Jan 7, 2016
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For the Vecinos part 5 11:240:00/11:24
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0:00/5:28
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For the Vecinos part 4 10:090:00/10:09
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0:00/5:27
